My Disc: Autosound 2000 Test Disc -Erfahrungen-

fatbar

Teil der Gemeinde
Registriert
11. Mai 2004
Beiträge
573
Real Name
Fatih
Hallo Mädels :ugly: ,

wer hat die oben genannte CD oder hat sie gehört? Ist von den berühmten Sheffield Lab Studios! Was haltet ihr davon?

Wenn sie einer hat, kann er mir die auch "abchecken" !?

Bei Amazon hab ichs bei nem Privatverkäfer gefunden, jedoch kostet die CD 39,90 €... Das war mir dann doch zu viel!

Tracklist:

1. "Stranger in My Bed", The Power of Seven, Up Front (10033-2-F)
2. "Dish Rag", Thelma Houston & Pressure Cooker, I've Got the Music in Me (10002-2-M)
3. "Dance of the Knights" from Prokofiev's Romeo & Juliet, Los Angeles Philharmonic, The Leinsdorf Sessions, Vol. 1 (10043-2-G)
4. "Dirty Blue", Adam Makowicz with Phil Woods, The Name is Makowicz (10021-2-V)
5. "Wishing Well", Michael Ruff, Speaking in Melodies (10035-2-F)
6. "Dock of the Bay", Lincoln Mayorga & Distinguished Colleagues, Vol. 111 (10001-2-V)
7. 1kHz sine wave at -20dBFS.
8. 1kHz sine wave at 0 dBFS.
9-18. Starts with a 1kHz sine wave reference tone which is warbled, sequence is:
9. 20 Hz
10. 62 Hz
11. 125 Hz
12. 250 Hz
13. 500 Hz
14. 2.5 kHz
15. 5 kHz
16. 10 kHz
17. 15 kHz
18. 19 kHz
19. Person counting from 1 to 25.
20. Identification track for the right channel.
21. Identification track for the left channel.
22. Relative polarity between the left and right channels.
23. Polarity pulses.
24. 1kHz sine wave with the bottom half clipped.
25. Stereo imaging (three people describing their locations in the sound stage.)
26. Above with people talking simultaneously.
27-32. Specially processed music selection.
27. Normal 2-channel stereo music selection.
28. Music switch to mono (L + R).
29. Mono signal fed to the left channel only.
30. Image shifts back to center for comparison.
31. Mono signal shifts to right channel only.
32. Signal switched back to stereo.
33. 45-second sample of music recorded at a normal transfer level.
34. 45-second sample of music recorded with transfer level of -10dB.
35. 45-second sample of music recorded with transfer level of -20dB.
36. 45-second sample of music recorded with transfer level of -30dB.
37. 45-second sample of music recorded with transfer level of -40dB.
38. 45-second sample of music recorded with transfer level of -50dB.
39. 45-second sample of music recorded with transfer level of -60dB.
40. 45-second sample of music recorded with transfer level of -70dB.
41. A recording of digital black or 0 bits.
42. High frequency, low level signal that alternates between 0000 and FFFF.
43. Correlated pink noise 20Hz to 20kHz.
44. Uncorrelated pink noise 20Hz to 20kHz.
45. Pink noise level changes in 1 dB steps.
46. Pink noise level changes in 3 dB steps.
47-56. Pink noise that has been filtered into successive 1/3 octave bands starting with 25Hz. Each track contains three 1/3 octave bands that constitute an octave.
Frequency Centered at
47. 25 31.5 40
48. 50 63 80
49. 100 125 160
50. 200 250 315
51. 400 500 630
52. 800 1k 1.2k
53. 1.6k 2k 2.5k
54. 3.15k 4k 5k
55. 6.3k 8k 10k
56. 12.5k 16k 20k

57. 20Hz to 20kHz continuous warble tone sweep.
58. 100Hz to 20Hz warble tone.
59. Individual frequencies from 10Hz to 99Hz.
60. 20-200Hz sweep.
61. 200-2kHz sweep.
62. 2k-20kHz sweep.
63. Musical note A (440Hz.)
64. 100Hz tone burst.
65. 1kHz tone burst.
66. 10kHz tone burst.
67. 100Hz square wave.
68. 1kHz square wave.
69. Musical reference track for 70.
70. Above compressed dynamically.
71. Sine wave processed with about .03% distortion.
72. Same as 71, except with .1% distortion.
73. Same as 71, except with .3% distortion.
74. Same as 71, except with 1% distortion.
75. Same as 71, except with 3% distortion.
76. Same as 71, except with 10% distortion.
77. Music processed with about .03% distortion.
78. Same as 77, except with .1% distortion.
79. Same as 77, except with .3% distortion.
80. Same as 77, except with 1% distortion.
81. Same as 77, except with 3% distortion.
82. Same as 77, except with 10% distortion.
83. Musical selection with no added delay (reference for 84.)
84. Music selection demonstrating group delay.
85-86. Recordings made on Pit Row during the 1994 time trials at the Indianapolis Motor Speedway.
 
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